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The first book explained how the Governor was created; this thrilling sequel to The New York Times bestseller further reveals his ruthless, inhuman conquest of Woodbury
The zombie plague unleashes its horrors on the suburbs of Atlanta without warning, pitting the living against the dead. Caught in the mass exodus, Lilly Caul struggles to survive in a series of ragtag encampments and improvised shelters. But the Walkers are multiplying. Dogged by their feral hunger for flesh and crippled by fear, Lilly relies on the protection of good Samaritans by seeking refuge in a walled-in town once known as Woodbury, Georgia.
At first, Woodbury seems like a perfect sanctuary. Squatters barter services for food, people have roofs over their heads, and the barricade expands, growing stronger every day. Best of all, a mysterious self-proclaimed leader named Philip Blake keeps the citizens in line. But Lilly begins to suspect that all is not as it seems. . . . Blake, who has recently begun to call himself The Governor, has disturbing ideas about law and order.
Ultimately, Lilly and a band of rebels open up a Pandora’s box of mayhem and destruction when they challenge The Governor’s reign . . . and the road to Woodbury becomes the highway to hell in this riveting follow-up to Robert Kirkman and Jay Bonansinga's New York Times bestselling The Walking Dead: Rise of the Governor.
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If you're expecting the same thrill ride that you get with other zombie novels, you're going to be disappointed with this one. However, it is better than the first book in this series (The Rise of the Governor) and now that it's in paperback I think it's worth reading.
I realize some people are going to stop here, so here's a 5-star zombie novel that I found recommended in a WD Vol 18 review -
Cryonic: A Zombie Novel.
If you do read Road to Woodbury, don't expect to be impressed by the writing. What you will enjoy is learning more of The Governor's backstory, as well as who helped him reach his exalted status. Though, to be honest, the book is more about life in Woodbury than it is The Road to Woodbury.
There are some emotional moments when characters are lost and that gives the book some merit. In addition to The Governor, the novel closely follows Lilly Caul as she struggles to survive the fall of Atlanta. I really enjoyed her moves from one encampment to the next, as my favorite part of zombie stories is surviving "the fall of man."
As you might expect, she ends up in Woodbury and I don't want to give anymore away, but let's just say not everyone will comply with The Governor's desires without question and possibly even rebellion.
By SteveBassist121
My review is directed toward Mr. Kirkman and Mr. Bonansinga, in the hopes that they might find it as useful constructive criticism when they set out to write their next novel. This is a great story with lots of potential, but the writing style is awkward and overly verbose. The authors indulge in cliché metaphors and have a habit of substituting perfectly good descriptive words for replacements dug up from the depths of their thesaurus. I needed a dictionary on hand in order to read this book, which is a rare occurrence for me. It seems that the authors took every opportunity to replace a perfectly normal word with some completely obscure term, to little effect. In many cases, these substitutions resulted in descriptions that were factually inaccurate. One example is the use of the term "Doppler echo" to describe a sound heard by the passengers inside a vehicle. The Doppler effect is only perceived by stationary listeners hearing a moving sound source (or vice versa), NOT those moving along with the sound source... and there is no echo associated with this phenomenon at all. This is a nitpick, I admit, but it just goes to show that the authors (or perhaps the editors) went out of their way to use "grown up words" when they obviously had no idea what they were talking about. The result is that the book feels sloppy and unprofessional. Listen, guys... Just write the story, OK? I am already hooked by the awesome character dramas you have unfolding in this bleak apocalyptic world. I love the comic. I love the show. Just tell me a story. You gain nothing by shoehorning in some obscure vocabulary just for the sake of looking smart. Stop being unnecessarily verbose and focus that energy instead on telling a compelling narrative.
By B. Gildersleeve